![]() He didn't even say the word 'funky,' he said 'smelly.' So that was Quincy's nickname for him: Smelly." His loose, playful side is on display during the title track, written by Temperton. "In the studio, Michael was silly and fun-loving," recalled Rod Temperton, who began working with Jackson during the late Seventies. But as Jermaine Jackson recalled in his book You Are Not Alone, neither his dad, Joseph Jackson, "nor Mr. He shrugged his shoulders and just sang the line 'There's that anguish and there's that doubt.' And I believed him." The single, buoyed by a dreamily baroque arrangement gilded with flute and chimes, reached Number Two on the Billboard chart instead of the Jackson 5's by-then-customary Number One. " 'What's this word mean, "anguish"?' he asked me. "I recall him asking about one of the lines," Davis said. Davis was worried that 11-year-old Michael might not understand the pain in the lyrics. Written by Clifton Davis, who would perform it at Jackson's funeral in 2009, "Never" set heartbroken lyrics to a sparkling melody. Looking back at the Jackson 5 era years later, Jackson said that his "three favorite songs from those days are 'Never Can Say Goodbye,' 'I'll Be There' and 'ABC.' " The man had good ears for the boy's best work. Said Riley, "We don't just add music or instruments just to be adding." I guess we gotta use what we love.' " The resulting tune mixes bright strings (a Jackson favorite) with one of the starkest beats he had ever sung over, a sharp contrast to Quincy Jones' rich, colorful orchestration. Let me change that whole bottom and put a new floor in there.' He said, 'Try it. If this is the right tune, I can utilize what you have in your singing. "The music didn't move Michael," co-producer Teddy Riley recalled. " Dangerous and HIStory were more Michael's life story." A product of Jackson switching up his sound to keep up with the R&B of the Nineties, the title track to Dangerous is stark and driving, with vocals that tilt between anger and terror, and lyrics about lust passing over into a "web of sin." The track evolved out of a Bad-era outtake called "Streetwalker" that he revisited and retitled during the Dangerous sessions with co-writer Bill Bottrell. Em9 G/A B I wanna rock with you, (all night), G/A A G/A A Rock the night away.Off the Wall and Thriller and Bad were more entertainment," recalls longtime Jackson engineer Bruce Swedien. Em9 G/A B I wanna rock with you, (all night), G/A A G/A A Dance the night away.Įm9 G/A B I wanna rock with you, (all night), Em9 A/B C Rock you into day, (sun -light). *KEY CHANGE*Įm9 G/A B I wanna rock with you, (all night), Em9 A/B C Dance you into day, (sun -light). Interlude Ebm9 Gb/Ab Bb Ebm9 Ab/Bb B Ebm9 Gb/Ab Bb C# C# D I wanna rock with you, I wanna groove with you. Bbm Eb9 And when the groove is dead and gone, (yeah), F#maj7 Fm7 You know that love sur-vives Bmaj7 Gb/Ab Ab ( Dm9) So we can rock for-ev -er, on. Ebm9 Gb/Ab Bb I wanna rock with you, (all night), Gb/Ab Ab Gb/Ab Ab We're gonna rock the night away. ![]() ![]() F#maj7 Fm7 Bmaj7 Gb/Ab Just take it slow, 'cos we got so far to go.Įbm9 Gb/Ab Bb I wanna rock with you, (all night), Ebm9 Ab/Bb B Dance you into day, (sun-light). Ebm9 Gb/Ab Bb I wanna rock with you, (all night), Gb/Ab Ab Gb/Ab Ab We're gonna rock the night away.Įbm9 Gb/Ab Ab/Bb Out on the floor there ain't nobody there but us, Ebm9 Gb/Ab Ab/Bb Girl, when you dance, there's a magic that must be love. F#maj7 Fm7 Bmaj7 Gb/Ab Relax your mind lay back, and groove with mine.Įbm7 Fm7 F#maj7 You got to feel the heat, and we can ride the boogie, Ebm7 Fm7 F#maj7 Ab Share that beat of love.Įbm9 Gb/Ab Bb I wanna rock with you, (all night), Ebm9 Ab/Bb B Dance you into day, (sun-light). Ebm9 Gb/Ab Ab/Bb Don't try to fight it there ain't nothin' that you can do. Intro: Ebm9 Gb/Ab Bb Ebm9 Ab/Bb B Ebm9 Gb/Ab Bb Gb/Ab Ab Gb/Ab AbĮbm9 Gb/Ab Ab/Bb Girl, close your eyes let that rhythm get into you. ![]()
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